Talk about hiding in plain sight. I couldn’t begin to tell you how many times I have walked by and photographed the grounds of the Hirshhorn Museum downtown Washington. In fact, the museum area and the sunken sculpture garden just across the street are some of my favorite places to capture unique people photos during the warm summer months. Yesterday, however, with temperatures dipping into the low 30’s and winds gusting to 30 mph, was not one of those days. Very few daring souls were out in the open, and those who ventured the elements were scurrying from one building to another as if training for the Olympics race-walking competition. I know this because camera in hand, I was one of them. Originally headed to a different museum, I was compelled by the frigid temperatures to find refuge in the nearest public (and heated) building to the metro station. That oasis of warmth was the Hirshhorn Museum, and much to my surprise, I found myself discovering a gem of contemporary modern art that had been sitting under my nose for longer than I care to admit.
You can’t miss this museum when visiting the National Mall in DC. With its multi-layered, circular design (I wonder if Steve Jobs was inspired by the design for his new Apple headquarters) and open ground floor, the museum structure sticks out like nothing else at the National Mall. Sort of the same could be said of the inside, where some of the sculptures and structures lining its circular halls will leave you scratching your head for meaning (as much as it pains me to say it, I have to admit that I am somewhat artistically primitive). But amongst its massively eclectic collections, incredible displays of human creativity and talent are also evident everywhere you look. In particular, the outstanding “Days of Endless Time” exhibit (open until April 12, 2015) was simply mindblowing.
The official description of the exhibit says it best:
In a world conditioned by the frantic, 24/7 flow of information and the ephemerality of digital media, many artists are countering thie dynamic with workd that emphasize slower, more meditative forms of perception… Selected as alternatives to the pace of contemporary life, these works provide a poetic refuge–a reflective realm where one drifts as if through days of endless time.
My favorite work in the series was a short film appropriately called “Travel.” To say that this slow-moving, ode to movement and perception was simply out of this world would be a gross understatement. The venue could not have been more perfect either. An oversized, dark room devoid of structures, where the rythmic, heart-grabbing musical score gradually induced a deep, meditative state on the audience. This was great stuff in a small package. More than that, it was another reminder that sometimes, great things happen when we dare to veer off those intended paths well-worn out by familiarity and routine.