Is it possible to find happiness inside a commercial shipping container? Obviously, the answer to this question depends on a whole slew of factors. But be that as it may, my interest remains on those who would actually answer “yes” to this sort of question. This is specially the case in big cities like Washington, DC where long, sour faces have become the modern Venetian masks of the average worker. Ever ride the metro during the rush morning or afternoon hours? You would be forgiven for thinking that smiling has been officially banned in the city. More than that, you could also be forgiven for thinking that you have become invisible, or transparent at the very least. No eye contact, no acknowledgement of your presence, and definitely no smiling. Strangers doing their best to ignore each other while sharing the same space, the same direction, and the same universe.
But then, when you least expect it and are about to give up on humanity, something different happens. Right there in the middle of grumpy city, and inside a hot metal shipping container, the very meaning of happiness and friendliness. No suits, no high-paying job, no ideal working conditions, and no high-flying college diploma on the wall. Just the mere presence of a photographer looking into the container was enough to do away with invisibility. As if being transported into another Second World galaxy, I was suddenly blinded by the toothy smile of an alien DC character and his incredible good attitude. An unsolicited display of friendship immediately followed, ending in a gladiators’ duel of who could express the most effusive “great talking to you” goodby. Walking away with my camera, I couldn’t help but think of the words uttered by the late Canadian photographer Yousuf Karsh: “There is a brief moment when all there is in a man’s mind and soul and spirit is reflected through his eyes, his hands, his attitude. This is the moment to record.” A chance encounter, a lifted spirit, and a much needed shot of faith in humanity. Away I went with a little more bounce on my steps and a much needed reminder of the power of good attitude.
There is something refreshingly simple about visual isolation. Not sure whether it is because of what we choose to leave out or because what we choose to accentuate. But whether it is the result of subtraction or addition, our enjoyment of visual scenes seems to be directly related to this simple visual arithmetic. Everyone has their favorites, but for me, subtraction seems to win most of the time. That is not to say that my intent is to photograph a single object in a scene, but rather that in every scene recorded, I find it more appealing when something within that scene plays a dominant or prominent role. It could be a castle at a distance, or a gentle hand over a book, whatever. What matters is that the photo is clearly anchored on an object, or a theme, as opposed as having every item in the photo compete for your attention. Granted, though, that focusing on an object is not as complicated as focusing on a theme. A photo of flowers will always be easier to capture than a photo depicting melancholy. But something must dominate the thought process, something must stand out to be remembered, and if a photographer is lucky or skillful enough to capture both an object and a mood, then that is payday in a creative’s life. Easier said than done, but undoubtedly the magnetic force that keeps us on the eternal journey of discovery.
Everyone has his or her weaknesses. It’s only human. One of mine is a recurring one, and by recurring I mean like once a year, but not more in deference to my waistline. I’m talking about your traditional, run-of-the-mill county fair, where your shoes get dirty with God-knows-what, and where even the mention of new wave cuisine could find you fed to the animals for lunch. Not that I have a drop of farmer in my blood. On the contrary, as a self-proclaimed urbanite, you are more likely to find me eating al fresco at some city bistro rather than standing devouring a turkey leg with my bare hands while some unknown red sauce drips down my cheek. That is, most of the time, because come summer, it is the county fairs that get my attention (this year, the Loudon County Fair, to be precise), and I frankly couldn’t care much about those bistro. It is secret sauce I want, lots of it, and I want it on everything from greasy fries to corndogs.
But county fairs are a lot more than a food pilgrimage for me. They are also therapy. That is because there, amongst the people bathing pigs, parading cattle, and taking care of show goats, I will also find the kind of real people that you rarely see in the big cities. You can’t pretend much when you’re rubbing clean a pig and herding goats the next minute. Things are, well, what they are. No pretentiousness, no bragging, no posturing, no nothing, but heroes all in my eyes. As I see it, the farmers who take part in these county fairs are some of the key linchpins in that complex system which feeds every one of us. And that is why taking out a day to see the fruit of their efforts is something I never miss every summer. They don’t even mind being photographed, which is an added bonus. All I know is that it always feels good being out there learning about things I don’t know anything about and spending some enjoyable moments with people I have never met before. Just can’t wait for next time, and those corndogs better be there.
Ah, to be a gentleman. There are not many words in the English language that are mere doors into a larger context than the word “gentleman.” Not that the term holds as much connotation in the modern world as it did a century ago, but rather than its mere use gives rise to all sorts of controversial interpretations of its meaning. For some it is merely descriptive, or at the very least, representative of an era when well-dressed men with impeccable manners and taste, roamed the earth. For others, its mere use is the functional equivalent of a war song, a remnant of an era when men with all sorts of predatory faults dominated the earth at the expense of just about everyone else. The word just seems to flatter some while insulting others. Such are the times in which we live.
Are we to conclude, then, that the whole notion of a “gentleman” is being rendered irrelevant in a world consumed with informality and industrial-size social conflict? My first reaction is to say no, but I’m afraid that my opinion may be wrong, or at the very least, outdated. As a nostalgic compromise, then, I would like to say that while the concept may not be totally dead, it may have been pushed underground, so to speak (I guess wearing a jacket while carrying a dog residue bag isn’t helping matters much either). Whatever the case, the word is quite controversial in modern times, and it may have to do to a large extent in our ability to achieve a commonly-accepted notion of what a gentleman is, or should be. But even if we strived for a common definition, I’m not sure that the attempt would find much agreement amongst folks out there. In some sense, we all kind have an image in our heads of what a gentleman is, or how should he act (a milder version of James Bond perhaps?), but these thoughts may be heavily infused with heavy doses of nostalgia, movie characters, or some self-created misconceptions. So, what are we to conclude about a gentleman today? I’m not sure, and will have to admit that I rarely see anything approximating such a species. The closest I’ve ever gotten was this person who I recently photographed in Georgetown, but that bag he’s holding may just put him slightly short of the threshold. Or does it? I hate to admit it, but these days I’m not sure where that threshold is.
Who buys paper books these days? Certainly, not me. I’ve gone purely electronic, for an Amazon Kindle with ten books fits nicely in your jacket pocket, but try to do that with paper books. It just won’t work. Paper books are chunky, unruly, lack build-in dictionaries, and demand a separate bag for storage. So, why not declare them dead once and for all and be done with it? Well, not so fast. From what I can see during my photographic roamings around major cities, paper books seem to be alive and well, and for one reason or another, lately I’ve begun to miss them. Looking through my photos I also discovered that while I tend to photograph lots of people reading books, I have yet to take a photo of anyone reading an electronic book reader. Why is that?
For starters, nothing beats the tactile feeling of holding a book. Their physical presence, while usually cumbersome, is also what keeps us engaged with its contents. We feel its weight on our hands, we see it, we judge it by its thickness, and we must actively secure it with one hand while the other gently waves its pages with a sweeping motion reminiscent of a professional harpist. And when we open a book, we experience that unmistakable exhilaration that comes from opening a window into a great view, a quickening of the senses driven by anticipation. The sweet perfume of a freshly printed book, a lonely title sitting prominently by itself on on a main page, and a first sentence to prepare us for the story that’s about to come. Yes, that first sentence that author Jhumpa Lahiri aptly described as “… a handshake, perhaps an embrace.” All of this I miss when holding my electronic reader. And every now and then, when nostalgia becomes too hard to bear, I too go out and buy a paper book, if anything to experience that warm embrace that never left my imagination. A feeling that has become collateral damage in a world consumed by technology, but one that hopefully will never die.
Chances are that you have never set foot inside the Smithsonian’s imposing Arts and Industries Building. Not that the building is hidden away somewhere where no one can find it. It rather sits in plain view of us all, right next to the Smithsonian Castle and smack in the middle of the Washington Mall. The building is incredible large and a beautiful architectural masterpiece, not to mention that it borders what many consider to be the most beautiful garden in DC, the Enid A. Haupt Garden. But not too many people have been inside, as it has been in constant renovation for a while now (translation: empty and closed to the public). I have lived in the area for nearly two decades and have never set foot inside, and have grown accustomed to seeing the plain-paper “closed” sign taped to its magnificent doors. That is, until today, when by chance I happened to walk by and some great folks conducting a demo along Jefferson Dr SW who thought that I was a tourist and told me to check out the inside of the building. At first I thought they were joking, but it turned out to be that they were not.
From inside, the structure is nothing short of spectacular. A throwback to another era with the finesse and class of an old Parisian covered market. The metal ceiling and beam-supported upper deck reminded me of the central market in Budapest, but without the people and the cheerfulness that is typical in those markets. Empty, underutilized, and unseen by most of us, this Arts and Industries Building, like a queen in exile, sits royally at the heart of the nation’s capital in total silence. And that is a pity. Perhaps one day it will be yet another museum at the Mall, but if it were up to me, I would create a food market to rival some of the best food markets in the world. Sadly, this will never happen. Most likely, and in true local fashion, a city full of museums will gain another museum in the end, and another place where you are expected to be quiet. Oh, well. I guess once I set eyes on the place, it was more of a “laugh out loud” kind of vision that wedged itself inside my head.
It is a yearly ritual, and a loud one at that. The Rolling Thunder has rolled into town to once again honor our veterans during Memorial Day, and like in every previous year, there will be crowds cheering and crowds that can’t wait to get out of town when “them” people come rolling in with their unkept beards and noisy motorcycles. But whatever your attitudes towards this event are, there’s no denying that it is one of the most colorful and meaningful displays of patriotism you’ll see anywhere in America today. And if you are in the market for a motorcycle, there’s no better place in this town to check out your next, shinny purchase than at the Pentagon’s North Parking Lot. It is quite an incredible display, even if two-wheeled riding is not your thing (it certainly is not mine). Looking at all those wonderful machines, it was impossible not to see yourself riding freely into the sunset with your bandana firmly wrapped around your forehead and a pair of leather chaps flapping in the air along a desolate country road. Of course, there were also those less romantic thoughts of laying on a hospital bed in traction for six months that kept interfering with the riding into the sunset thing, but I guess it’s only natural to dream a little while your feet are firmly planted on the ground. Whatever the case, on this Memorial Day we join the thousands of riders descending on our nation’s capital in honoring the great men and women who gave their precious lives in the service of their country. Their ultimate sacrifice will never be forgotten.
“The United States and the freedom for which it stands, the freedom for which they died, must endure and prosper. Their lives remind us that freedom is not bought cheaply. It has a cost; it imposes a burden. And just as they whom we commemorate were willing to sacrifice, so too must we — in a less final, less heroic way — be willing to give of ourselves.” … Ronald Reagan
I am not a macro photographer. Not by a long shot. In fact, with all the talented people in that field, I think it is a wise decision on my part to take my mediocrity somewhere else where it can be of greater use. But you can’t deny there’s something to those close shots that is kind of enticing. However, if you see me posting too many of them, then you can pretty much conclude that I wasn’t able to find enough interesting people doing interesting things out there to photograph. And lately, that seems to be the case. Don’t get me wrong, I love living where I live, but there’s no denying that people around here cannot be described as outdoorsy. In the metropolitan Washington, DC area things happen primarily indoors, and if it is Parisian lifestyle that you’re after photographically, well, then you need to get on a plane and go to Paris to find it.
Luckily, the absence of people doesn’t mean the end of photographic opportunities. There are plenty of shapes and colors to be had, specially during the spring and early summer. Local gardens are blooming like crazy, and the freshly painted doors in the area offer the perfect backdrop for all sorts of photo scenes (the best doors can be found in Georgetown and Old Town Alexandria). This kind of photography, however, almost begs for the tight shot, for the kind of subtraction that often distracts the viewer by creating visual noise. Easy, then? Well, not quite. For someone who normally looks for people in a scene, it takes a new way of looking, like substituting laser vision for the more generic pano vision most of us have been accustomed to. When we narrow our sight that way, we will never run out of photographic opportunities. And the best part? Plants and doors have never objected to you taking their picture, so there’s something to be said for that.
Today, I got in touch with my inner child. You know the one, that one which lives inside us all and which at times surprises us at the most unexpected moments. It lies dormant, and more-often-than-not suppressed, in some locked chamber inside our hearts. We are conscious of its presence while it lingers unattended under the watchful eye of those merciless wardens of our so-called happiness, adulthood and correctness. But try as they may on days like these, those vicious suppressors of spontaneity and childhood innocence lie helpless before the sight of hundreds of kites slicing their way through the April sky above the blooming blossoms of a glorious spring day. No chance, none at all.
That is because today was a special day, the day in which the great Smithsonian Institution celebrates the annual Blossom Kite Festival. Colorful flying machines flying in all directions with a cloudy canvas as a backdrop. Children whose eyes rarely left the sky while their parents desperately tried their best at a two-minute crash course on flying the unruly kites. Entanglements as common as the acrobatic displays by the most experienced flyers. Big kites, small kites, kites without a tail, kites with flags, and the wonderment of thousands of people who could not conceive of missing an event like this. And yes, there on that grassy field of wonders, someone I knew from my childhood showed up, unannounced and marveling at the celestial spectacle as he has once marveled on a land so very far away. He didn’t stay long, but long enough to remind me that flying a kite has never been about expertise, but rather about letting your dreams soar way up into the skies and then fighting like hell to keep them there for as long as you can. Something the me now sometimes forgets, but something the me then always remembered. And that’s what great days are made of.
Like happiness, it never last very long. That’s just the way it is, but while it lasts, it is nothing short of heaven. I’m obviously referring to the yearly spectacle that is the Cherry Blossoms blooming season around the Tidal Basin area downtown Washington, DC. That’s right, the same town where politicians have given new meaning to the word hate, but where nature, in spite of their attempt to spoil it, explodes in all its beauty for a few days in March every year. Around the grassy meadows of the Washington Mall, the eternal fights just a few blocks away seem as in a different galaxy. The beautiful bloom of these bendy trees remains as oblivious of the politicians as the politicians remain of their delicate flowers. In fact, the Cherry Blossoms are a happy zone, a zone where smiles and enjoyment of what life has to offer are potent enough to exclude any feeling of unhappiness and dejection. A zone where “public demonstrations of affection” are not only evident everywhere you look, but where they are impossible to repress amongst so much beauty. It is a yearly ritual that only lasts three or four days, but one that that is the clearest symbol of spring and of the beauty, happiness, and hope that still exists in the world. Nature, and people, at their best. The world could use a little bit more of both.
It was a cliffhanger, but the famous Tidal Basin Cherry Blossoms did manage to show up after all. A bit subdued mind you, but there they are along with the crowds. And while the cold, rainy season is kind of putting a damper on people’s mood, it is virtually impossible to walk amongst these wonderful trees and not feel some sort of uplifting, positive force that could can turn any sour Washington bureaucrat into a happy person. And believe me, that is saying a lot. Every year, this beautiful gift of nature appears to remind us that not everything is gloom and doom in this world. In fact, it is a reminder that the dark, cold days of winter don’t last forever, and that there will always be a spring, and flowers blooming, and lovers moved by nature’s spectacle. Life as an eternal cycle, with endless springs to come.
Who would’ve know. Mention the Spanish Steps to anyone who enjoys travel, and immediately romantic images of the Piazza di Spagna in Rome with its fountain and multitude of lovers peering down the busy Via dei Condotti come rushing in. A stroll with your lover down the narrow Via del Babuino in late afternoon to the imposing Piazza del Papolo before catching a romantic dinner along the undulating Tiber River. The stuff dreams are made of. So, it is time to get those tickets and head on out to the Bella Italia and Old Rome in search of the Spanish Steps? Perhaps. But guess what? Just yesterday I discovered that right here in good old Washington, DC, we too have Spanish Steps, and you can get there by metro! Steps? Check. Lovers? Check. Views? Check. Tiber River? Well, would you settle for the off-color Potomac River? If yes, then check. Romantic dinner? There’s plenty of romance a few steps away at Dupont Circle, so check. Antiquity and beautiful architecture with narrow, cobblestone streets? Highly overrated.
So, yes, there you have it. Hidden away between S St NW and Decatur Pl NW a bit north of Dupont Circle, and sitting amongst a slew of foreign Embassies, lies our lilliputian version of the famous Italian landmark. And you know what, they’re kind of nice. Small, but offering the kind of privacy that sometimes makes all the difference. Very few people seem to know about this place, specially if they don’t live close by and have to traverse the area out of necessity. Beautifully out of sight in plain view. Brilliant. And while somewhat lacking the grandiose magnitude of its Italian distant relative, it didn’t seem to lack any of the romance for lovers occupying its steps. There were giggles. There were stares. There was a kiss, and a lover’s hand. When you already have all that, who needs Rome after all.
Ever wonder whether we are all artists in some way or another? I mean, even if you have yet to express yourself publicly in some artistic form or fashion, it is not an exaggeration to say that within us all there is an artistic bend that has yet to be discovered, even by ourselves. Why am I saying this? It’s all because of the photograph above, or more precisely, because of the artistic expression that became the subject of the photograph above. You see, the lady in the photo was just spinning very slowly on the raised platform while every 4 to 5 seconds striking the same cords on the guitar. On and on it went, while the rest of us stood there at this famous museum simply staring and waiting for the next stroke to come on, even if it was not any different from the one that preceded it. And you know what? I thought it was great, even if right now I couldn’t tell you why. Suffice it to say that art is art, and the fact that someone may not admire a particular art form, does nothing to diminish this fact. It is creativity given expression through some mean, and just like a plate of food, someone’s dislike does not do away from the simple fact that it was actually food and someone else will like it. So it is perhaps high-time that most of us aspiring creatives just let loose out there. Paint if you feel like painting, write if you feel like writing, and sing if you want to let loose the song in your heart. And never worry about what others may be thinking. The lady with the guitar didn’t seem to mind, and still everyone stared admirably in silence eagerly waiting for her hand to move. Sounds absurd? No, it’s art.
Where is winter? I know that not everyone around America is asking this questions at the end of January, but for the folks here in the Washington, DC area, winter is mostly something that has yet to happen. Sure, temperatures are kind of low and most trees are devoid of leaves, but the real stuff (you know, the white thing that fall from up above) has yet to show up in any meaningful way. Yesterday, folks were jogging in shorts around the local monuments, while other sat at park benches or the grassy sections of the Washington Mall. Did anyone cancel winter and didn’t tell the rest of us? Whatever. But one thing I do know for sure: old winter has a nasty habit of visiting the area with the same subtleness as the Katrina hurricane. First nothing, then all hell brakes loose. And just as unpredictable as the local weather is during these months of the year, so will be the forecasts. A few inches could turn out to be a few feet, mild temperatures could translate into frostbite and hypothermia. And if Trump … OK, none of that. I guess we will all have to sit tight and just wait for our uninvited, and unpredictable, winter guest to arrive. It always does.
This will be another of those “photographers are weird people” kinds of post. Its origin started with a recent realization at the Hirshhorn Museum downtown Washington, DC. I love museums, and that is why during one of the coldest days of this winter, I decided to visit (ok, if you really need to know, I needed a warm place) this eclectic museum to see their new exhibits. If you know the Hirshhorn, you’ll know that it is the kind of museum that challenges that strange part of your brain that is not used very much, but which when engaged, turns your reality into something that takes some getting used to. Translation: I love the place. But there’s where this sort of epiphany took place. You see, like the museum’s split reality, I too possess a kind of split view of the world: one with camera on hand, the other sans camera. With a camera, it seems I only visit museums to observe other people observing the museum art. People, all of them, become part of the ongoing exhibit, with one lacking any meaning without the other. Take that camera away from me and suddenly I become Joe the art critic, with eyes only for the inanimate objects (excuse me, art) found therein. Weird? Perhaps a little, but it is what it is. The camera, like a window for a writer, transforms you somehow. It pulls something from within you that affects your vision of the world around you. It makes you see the human ecosystem as if you were wearing X-Ray glasses. See deeper, see more. A walk through a magnificent visual door that will allow you to hold on to that saw forever.