Chances are that you have never set foot inside the Smithsonian’s imposing Arts and Industries Building. Not that the building is hidden away somewhere where no one can find it. It rather sits in plain view of us all, right next to the Smithsonian Castle and smack in the middle of the Washington Mall. The building is incredible large and a beautiful architectural masterpiece, not to mention that it borders what many consider to be the most beautiful garden in DC, the Enid A. Haupt Garden. But not too many people have been inside, as it has been in constant renovation for a while now (translation: empty and closed to the public). I have lived in the area for nearly two decades and have never set foot inside, and have grown accustomed to seeing the plain-paper “closed” sign taped to its magnificent doors. That is, until today, when by chance I happened to walk by and some great folks conducting a demo along Jefferson Dr SW who thought that I was a tourist and told me to check out the inside of the building. At first I thought they were joking, but it turned out to be that they were not.
From inside, the structure is nothing short of spectacular. A throwback to another era with the finesse and class of an old Parisian covered market. The metal ceiling and beam-supported upper deck reminded me of the central market in Budapest, but without the people and the cheerfulness that is typical in those markets. Empty, underutilized, and unseen by most of us, this Arts and Industries Building, like a queen in exile, sits royally at the heart of the nation’s capital in total silence. And that is a pity. Perhaps one day it will be yet another museum at the Mall, but if it were up to me, I would create a food market to rival some of the best food markets in the world. Sadly, this will never happen. Most likely, and in true local fashion, a city full of museums will gain another museum in the end, and another place where you are expected to be quiet. Oh, well. I guess once I set eyes on the place, it was more of a “laugh out loud” kind of vision that wedged itself inside my head.
It is a yearly ritual, and a loud one at that. The Rolling Thunder has rolled into town to once again honor our veterans during Memorial Day, and like in every previous year, there will be crowds cheering and crowds that can’t wait to get out of town when “them” people come rolling in with their unkept beards and noisy motorcycles. But whatever your attitudes towards this event are, there’s no denying that it is one of the most colorful and meaningful displays of patriotism you’ll see anywhere in America today. And if you are in the market for a motorcycle, there’s no better place in this town to check out your next, shinny purchase than at the Pentagon’s North Parking Lot. It is quite an incredible display, even if two-wheeled riding is not your thing (it certainly is not mine). Looking at all those wonderful machines, it was impossible not to see yourself riding freely into the sunset with your bandana firmly wrapped around your forehead and a pair of leather chaps flapping in the air along a desolate country road. Of course, there were also those less romantic thoughts of laying on a hospital bed in traction for six months that kept interfering with the riding into the sunset thing, but I guess it’s only natural to dream a little while your feet are firmly planted on the ground. Whatever the case, on this Memorial Day we join the thousands of riders descending on our nation’s capital in honoring the great men and women who gave their precious lives in the service of their country. Their ultimate sacrifice will never be forgotten.
“The United States and the freedom for which it stands, the freedom for which they died, must endure and prosper. Their lives remind us that freedom is not bought cheaply. It has a cost; it imposes a burden. And just as they whom we commemorate were willing to sacrifice, so too must we — in a less final, less heroic way — be willing to give of ourselves.” … Ronald Reagan
I am not a macro photographer. Not by a long shot. In fact, with all the talented people in that field, I think it is a wise decision on my part to take my mediocrity somewhere else where it can be of greater use. But you can’t deny there’s something to those close shots that is kind of enticing. However, if you see me posting too many of them, then you can pretty much conclude that I wasn’t able to find enough interesting people doing interesting things out there to photograph. And lately, that seems to be the case. Don’t get me wrong, I love living where I live, but there’s no denying that people around here cannot be described as outdoorsy. In the metropolitan Washington, DC area things happen primarily indoors, and if it is Parisian lifestyle that you’re after photographically, well, then you need to get on a plane and go to Paris to find it.
Luckily, the absence of people doesn’t mean the end of photographic opportunities. There are plenty of shapes and colors to be had, specially during the spring and early summer. Local gardens are blooming like crazy, and the freshly painted doors in the area offer the perfect backdrop for all sorts of photo scenes (the best doors can be found in Georgetown and Old Town Alexandria). This kind of photography, however, almost begs for the tight shot, for the kind of subtraction that often distracts the viewer by creating visual noise. Easy, then? Well, not quite. For someone who normally looks for people in a scene, it takes a new way of looking, like substituting laser vision for the more generic pano vision most of us have been accustomed to. When we narrow our sight that way, we will never run out of photographic opportunities. And the best part? Plants and doors have never objected to you taking their picture, so there’s something to be said for that.
Today, I got in touch with my inner child. You know the one, that one which lives inside us all and which at times surprises us at the most unexpected moments. It lies dormant, and more-often-than-not suppressed, in some locked chamber inside our hearts. We are conscious of its presence while it lingers unattended under the watchful eye of those merciless wardens of our so-called happiness, adulthood and correctness. But try as they may on days like these, those vicious suppressors of spontaneity and childhood innocence lie helpless before the sight of hundreds of kites slicing their way through the April sky above the blooming blossoms of a glorious spring day. No chance, none at all.
That is because today was a special day, the day in which the great Smithsonian Institution celebrates the annual Blossom Kite Festival. Colorful flying machines flying in all directions with a cloudy canvas as a backdrop. Children whose eyes rarely left the sky while their parents desperately tried their best at a two-minute crash course on flying the unruly kites. Entanglements as common as the acrobatic displays by the most experienced flyers. Big kites, small kites, kites without a tail, kites with flags, and the wonderment of thousands of people who could not conceive of missing an event like this. And yes, there on that grassy field of wonders, someone I knew from my childhood showed up, unannounced and marveling at the celestial spectacle as he has once marveled on a land so very far away. He didn’t stay long, but long enough to remind me that flying a kite has never been about expertise, but rather about letting your dreams soar way up into the skies and then fighting like hell to keep them there for as long as you can. Something the me now sometimes forgets, but something the me then always remembered. And that’s what great days are made of.
Like happiness, it never last very long. That’s just the way it is, but while it lasts, it is nothing short of heaven. I’m obviously referring to the yearly spectacle that is the Cherry Blossoms blooming season around the Tidal Basin area downtown Washington, DC. That’s right, the same town where politicians have given new meaning to the word hate, but where nature, in spite of their attempt to spoil it, explodes in all its beauty for a few days in March every year. Around the grassy meadows of the Washington Mall, the eternal fights just a few blocks away seem as in a different galaxy. The beautiful bloom of these bendy trees remains as oblivious of the politicians as the politicians remain of their delicate flowers. In fact, the Cherry Blossoms are a happy zone, a zone where smiles and enjoyment of what life has to offer are potent enough to exclude any feeling of unhappiness and dejection. A zone where “public demonstrations of affection” are not only evident everywhere you look, but where they are impossible to repress amongst so much beauty. It is a yearly ritual that only lasts three or four days, but one that that is the clearest symbol of spring and of the beauty, happiness, and hope that still exists in the world. Nature, and people, at their best. The world could use a little bit more of both.