If there is a secret in the travel world, that secret must be called Slovenia. Granted, that recent world events have brought some much-deserved attention to this Alpine wonder, but if you ask anyone around you, you’ll find out that Slovenia has yet to make it to most people’s bucket list. That’s a shame, because as I recently discovered, it is not until you get there that you realize what you’re been missing all this time. Incredible natural beauty, a hiker’s paradise, castles, crystal clear lakes, fantastic food, and the rich history that accompanies a country that sits on the crossroads between Europe and distant lands in the East. Don’t get me wrong, Slovenia is as European as they come, with its feet firmly planted in the west. But there is a freshness to it that is reminiscent of an Europe from long ago, from a time when mass tourism and globalization had not yet arrived with the intensity of a tsunami to transform the local atmosphere in most European capitals. And believe me, that lack of overwhelming feeling is indeed a good thing.
I only spent a week in this wonderful country, but judging from the “I’m not ready to leave” feeling I had at the airport, I know that I’ll be back someday soon. The rain in the mountain region did change my hiking plans a bit, but perhaps it was for the best, for I had a chance to spend more time at Ljubljana, the wonderfully romantic capital bordering the Ljubljanica river. To the traveler, it appears that everything in Ljubljana emanates from the Prešernov trg square and the adjacent Triple Bridge. Every visitor to Ljubljana find his or her way here, and for good reason. The number of restaurants and coffee shops along the banks of the Ljubljanica river will put most capital cities to shame. And did I mention that Ljubljana was named the Green Capital of Europe for 2016? Sitting under the green canopy of one of its luscious trees by the river enjoying a leisurely afternoon Macchiato and a flaky croissant would make it almost impossible to argue with that. Add to that the friendliest, most approachable people I’ve met in Europe in a long time, and you can see why this country has made such an impact on this tired traveler. Slovenia is simply a refreshing take on Europe, and as such, it is a place that rekindles your appetite for wanderlust and those feelings that only take form when we travel to distant places and are moved by all that appears before us. I only regret that it took me this long to visit, but I can assure you, that it won’t take me as long to go back.
Let’s face it, in 2017 the world will continue to be as dangerous and exciting as it ever was. Read any news site these days and pretty much all you will read about is about the calamity that humanity has become. Crime, terrorism, corruption, betrayals, and all sorts of negative punditry appears to be competing to overwhelm our senses. Fair enough, all these seem to be happening in one place or another. But not everywhere, and that is the point of this blog today. You see, as eagerly as some people are working to ruin our enjoyment of life, others are working equally hard to preserve and promote our enjoyment of the world. Our burden (or challenge, if you will), is precisely to chart a road ahead along the positive route while avoiding the pitfalls of the negative one. But don’t misinterpret this encouragement as some sort of advocacy to burry our collective heads in the sand. Quite the contrary. It is just a reminder that for every part of the world where conflict and misery are spreading havoc, there are other parts of the world where happiness and the safe enjoyment of life are an integral part of daily life.
Nowhere is this more evident these days than in the vast European landmass. While tensions in major cities like London, Paris, Berlin, and Istanbul appear to be off-the-charts these days, this is not the case throughout most of Europe. Sure, these are the type of famous cities where tourists flock to during their holidays, but anyone willing to expand their horizons a bit will be rewarded with a more peaceful ancient continent where people go about their daily lives as if the rest of the world existed in another galaxy. Basically, getting off the proverbial “tourist” path in Europe is where you find the continent that seems to have fallen off the front pages of our tragic newspapers. Thinking of going to Paris because everyone goes there? Why not try Fontainebleau or Chartres instead. Berlin on your radar? Why not Quedlinburg or Halle in its stead. Istanbul anyone? Perhaps Bucharest and the beaches of Constanta are a quieter, and safer, choice these days. The point I’m trying to get at is that all of us, as travelers, still have lots of choices as to what to do with our time and money, not to mention our safety. Somewhere along those less traveled roads is perhaps where we will find the true pulse of a country and its people. That these places are not always easy to get to is no doubt a blessing in disguise, for the endless social and political problems afflicting large, popular cities across continental Europe will find it equally problematic getting there. So, in case anyone is keeping scores, go ahead and score one for the road less traveled.
Photographers are never a happy lot. If you are like most photographers, you tend to spend too much time reading photography sites and worrying about the gear you don’t have, or the photos you are not taking. Seldom will you check out a photo’s EXIF data and find yourself rejoicing. No, on the contrary. What’s more likely to happen is that all that technical data contained in those accompanying files will leave you with a sense of quiet desperation. One side of you will see that the great photo you’re looking at was taken with a more expensive camera/lens combination than what sits in your camera bag. Another side of you, and perhaps more painful to ego and wellbeing, will discover that the photograph was taken with a much cheaper camera/lens combination than what you dished-out for your precious. Whatever the case, your mind will immediately begin questioning your choices, and a raging war of words from pundits living in your subconscious will not waste a single second in turning your brain into a virtual battle zone. You need more, you need less, you need different, more time, more knowledge, more, more, less, less. It’s enough to get you committed to an institution. In the end, all you really need is the desire to take photos, and the ability to do so. Time and disposition are the key, and just like wine, whatever you think is good, is good enough. So best to purge those voices in your head and just go out and make photographs with whatever gear you’ve got. Believe me, I’ve been plenty envious of what some people are recording with their iPhones. But maybe it was because I didn’t have the right lens. Oh no, there again are those voices in my head.
I have long been fascinated by the notion of capturing urban serenity in my photos. Not that I’ve always been successful in doing so, but rather that I enjoy looking for these types of scenes as if with the devotion of an astronomer looking for a new star. I know these scenes are out there, but my eyes don’t always see them. This is not for lack of trying,mind you, but rather that in the visually oversaturated environments of our modern cities, it is not easy to avoid visual distractions. Sort of like trying to write the next, great American novel in a room full of people who insist on constantly talking to you. Not easy, to say the least.
The challenge of capturing an image depicting urban serenity is compounded by the fact that most of these scenes can only be found in a portion of our natural field of view. That is, they hide in parts of what we see, not in all we see. Sometimes they may not amount to more than 10-20 percent of what’s in front of us, off to a corner and easily overshadowed by the more visually-demanding center of the scene. From the photographer (or the creative), these hidden gems demand a certain level of visual cropping–the ability to segment a scene into smaller micro-scenes that could stand visually on their own. It is the proverbial needle in the haystack challenge, and it’s never an easy one.
There is also a certain calm in those scenes. Like the quiet person in a busy room, they can’t help but attract your attention in spite of their best effort to be ignored. They attract us because they engage us, they make us think, or at the very least, imagine. And even if for a brief, but precious moment, what better place to live than in our imaginations.
I love PhotoWeek DC. Maybe I should restate that: I love everything PhotoWeek DC stands for. Since 2008 some very hard-working group of folks have labored intensely to bring us this celebration of all things photography, with tens of exhibits around town and lectures galore by talented photographers that are pushing the boundaries of their creative and business talents. All of us living in the DC metropolitan area who spend endless hours behind our cameras should feel very fortunate to have such a festival right here in our back yard, and we do. Nevertheless, recent developments in the world of photography have made me wonder whether there are some aspects of photography that are not receiving their fare share of time at these gatherings. Put another way, I’m beginning to wonder whether the world of large prints, large cameras, and traditional portfolio review sessions continues to be emphasized in photo festivals as a defense mechanism against the emerging world of stock photo agencies, Tweeter, Instagram, and digital publications.
There is no doubt that today everyone seems to be a photographer. And without getting into the never-ending professional vs. amateur argument (which by the way is a fruitless discussion, as a good photograph is a good photograph no matter who takes it), it appears that some leading national magazines out there are pulling the rug from under the professional photographers’ feet by growingly getting their photos from everything from stock photo agencies to Instagram. Case in point: the recent (and controversial) Instagram cover photo on Time Magazine. Now, I don’t know that this is the future or anything like that, but judging from the vitriolic complaints about Time Magazine’s moves coming from professional photojournalists, this must be a really sensitive subject, to say the least. An amateur with an iPhone or one of those point-and-shoot cameras getting published on the cover of Time Magazine? Heresy. Unconscionable. The death of quality photography. You name it; it’s been said. And yet, photography continues to be all about “being there.” That is, about capturing a moment that has some sort of meaning to those looking at the photograph. What you use to capture this moment really doesn’t matter at the end. The videos and photos of Muammar Gaddafi during his last minutes on earth are no less valuable (or powerfull) as historical documents as a result of being recorded on a cell phone. In fact, it could be argued that as photography becomes more secularized, as evidenced by the widespread use of simpler and easily-transportable recording devices, the world of photography will be transformed in new and incredible creative ways. Chase Jarvis, the incredibly talented photographer, alludes to this new world of possibilities on a constant basis. Even though he sits at the top of his professional photographic career, he continues to preach the mantra that the best camera is the one that is with you when that great photo opportunity shows up. In fact, Chase celebrates all that is new and innovative in the creative arts, and that probably explains a lot of his success and his large number of followers. The photo industry (and yes, some photo shows and festivals) have yet to catch up to Chase and the legions of amateurs and Instagramers who roam the world and who by virtue of simply “being there” are the ones capturing great footage of events while they are happening. At the end of the day my friend, and as it has been from time immemorial, getting that picture is all that matters.